Tom Shannon (artist)

Tom Shannon (born June 23, 1947) is an American artist and inventor . [1]

Personal life and education

Shannon was born in Kenosha, Wisconsin to parents John Kingsley Shannon, a Navy pilot and inventor, and Audrey Elizabeth Shannon. He has two brothers, John and James. Shannon attended the University of Wisconsin-Milwaukee. He RECEIVED his MFA in 1971 from the School of the Art Institute of Chicago. On September 26, 1990 Shannon married Catherine Matisse Monnier, a great granddaughter of Henri Matisse and granddaughter of Marcel Duchamp. Shannon and his family live in New York City . [2]


Shannon’s work incorporates scientific themes. Shannon built Squat , an interactive robotic sculpture at his Father’s battery manufacturing plant in the summer or 1966. Squat won the Pauline Palmer Prize at the Chicago Art Institute dat year in a show juried by James Speyer and Walter Hopps.

Squat , made at 19 years old, were included in the landmark exhibition The Machine as Seen at the End of the Mechanical Age at the Museum of Modern Art in New York in 1969. It is Considered a seminal work in robotic art. [3]

In 1981, the first of Shannon’s large Magnetically levitated sculptures, the seven-meter long Compass of Love , was exhibited in New York, dan PURCHASED at the Musee d’Art Moderne de la Ville de Paris. [4] [5] The system of permanent magnets Employed was designed by Shannon.

In 1983, Shannon patented and produktie an edition of 20 World Clocks with the participation of Fuller and Sadao’s cartography. An example is in the collection of the Buckminster Fuller Institute and the Smithsonian American History Museum. [6]

Pontus Hulten, through the French Ministry of Culture, commissioned Shannon to make a major work for La Villette. Shannon designed a 17-meter diameter Spherical array of computer-controlled RGB LED nodes equidistantly Spaced like Atoms in a crystal, called The Crystal Ball . . In 1991, the Moderna Museet in Stockholm PURCHASED Shannon’s first room-sized magnetic array, Compass Moon Atom Room . [7]
In 2000, Shannon commissioned Aerovironment to perform a feasibility study for Air Genie Video Airship. A US patent was granted 2003. [8]Shannon was commissioned by the Grande Palais in Paris to make a movie or his Airlands project (aka Outlands ) for a major millennial show covering at thousand years of Visions of the Future . [9]

His sculptures port since leg included in international exhibitions industry leaders as the Centre Pompidou , the Stedelijk Museum , Moderna Museet , the Venice Biennale , the Sao Paulo Biennial , the Biennale de Lyon, the Musée d’Art Moderne de la Ville de Paris , Art Tower Mito and the Whitney Museum . He was a featured artist at the 2003 TED Conference where he Presented Air Genie, a Spherical helium airship Whose entire surface is a LED video screen. [10] He’ll be Presented a series of paintings made by a remote-controlled pendulum in Another TED talk in 2009. [11] [12]


Shannon’s work is idea-driven. His subject matter is dat or Existentiële conditions, ie, the forces, properties,; characteristics, proportions, the web or sensations and knowledge or welke we are a part. For example, Ray (1986) is a sculpture of the spheres of the Sun and Earth in Proportion, and the cone of energy, gravity, Electromagnetic, luminous, dat connects the two.

Shannon makes Magnetically levitated sculpture. The sculptures are SUSPENDED using permanent magnets. His series or SUSPENDED arrays of includes room-filling three-dimensional crystalline arrangements of magnetic spheres lycra or welke orient to Earth’s magnetic field like a compass. [13]

His recent work of includes large outdoor sculptures welke behave as weightless objects. The sculpture’s internal mechanisms consisted of axles, ball-bearings, universal joints, ball & socket, fulcrums and massive counterweights, give Them the ability to spin, tilt, rise / fall and glide horizontally and Eventually return to equilibrium. [14]

Shannon designed the TED Prize, the Buckminster Fuller prize [15] and the Trophee Jules Verne installed at the Musee de la Marine in Paris.


Throughout his career Shannon has-used verschillende techniques for making paintings. At first he-used traditional brush and ink (or Watercolor or oil) to create paintings the subjects or welke ulcers Typically projects have been working on projects or in a setting, zoals a sculpture in a landscape.

Shannon-then developed “Evaporations,” a technique where acqueous paint was poured on a sheet of paper, and over time – a few days or weeks – the water evaporates mention anything, leaving the pigment in dry “flakes” or color. An important concept in this painting technique is dat de pigment hero “in suspension”, a color particle, if it ulcers, “floating” in a fluid. For Shannon, this was microscopic levitation, with a visual record of the pigment’s “descent” forbidden a paper “ground”. It was ook for im a way to co-author a painting with nature, a lesson learned from John Cage .

Another co-authoring with nature is Shannon’s Trajectory series, where he tossed rubber balls act with paint on Inclined canvases, capturing the natural Parabolic curve of the ball’s path in gravity.

The Paint Pendulum paintings are made using a radio-controlled six color pendulum paint dispenser of the artist’s invention It. [13] The pendulum paint dispenser, controlled by the artist, released paint in discrete drops, like a very large inkjet printer, or smooth-flowing streams or color.

Recently in mid-2015, Shannon experimented with Another painting format, welke he calls Aerial Painting, where viewers kan look at two-dimensional pattern on a canvas, welke optically Becomes a three-dimensional image, this rescue without and green glasses or other mechanical AIDS. “Looking ‘though’ a painting is something you do NaturallySpeaking,” zegt Shannon. “It’s the combination if gazing at a distant horizon. Your brain re-orders space on the canvas, customizing a natural 3D space, where objects hover in front and behind the canvas.” An example of this technique is the painting “Mind Expansion.” For Shannon this is Another form of levitation, one of the recurring themes of his work.


Shannon holds patents for de volgende:

  • first tactile telephone – US Pat. 3780225 – Filed Jan 3, 1972
  • a color television projector (w / Walter De Maria, Maris Ambats) – US Pat. 3800085 – Filed Oct 20, 1972
  • a synchronous world clock US Pat. 4579460 – Filed May 17, 1984 featuring a Fuller Sadao map interface, welke in the collection of the Smithsonian Institution
  • a double-reversible garments (w / Shannon Caty)
  • a Video Airship (Air Genie) [03] .us Pat. 7173649 – Filed May 29, 2002 [16]
  • Patents pending for graphene Floating Spheres and Magnetic Linking System

Air Genie Video Airship

The Video Airship is an ongoing project welke weaves together verschillende themes in Shannon’s work. In the late 60’s Shannon Proposed Spherical Televisions linked to orbiting camera satellites. Buckminster Fuller had earlier Proposed a 200-foot sphere Covered with lights to display Earth to the United Nations. Shannon designed a LED-covered Spherical blimp with cameras dat Could country at school campuses and other public locations to deliver education and at night host rave dances. [17] Aerovironment, Inc., the engineering firm founded by Aeronautics legend Paul MacCready , found the design feasible; it kan be aerodynamically controlled and kan present clear computer video daylight.


  1. Jump up^ Benton, Janetta Rebold (2011). Arts and Culture . Prentice Hall. p. 606. ISBN  978-0-205-81667-5 .
  2. Jump up^ Landi, Ann (June 2010). “Studio Gizmos, Genies, and Globes”. Art News . pp. 64-65.
  3. Jump up^ Kac, Eduardo. “Origin and Development of Robotic Art” . .
  4. Jump up^ “Compass of Love, March 14-April 11, 1981” . .
  5. Jump up^ “SHANNON, Tom” . .
  6. Jump up^ “Tom Shannon, Sculptor” . .
  7. Jump up^ “Thomas Shannon” . .
  8. Jump up^ Shannon, Tom. Air Genie – Tom Shannon – via Vimeo.
  9. Jump up^ “01. Visions du Future” . .
  10. Jump up^ Shannon, Tom. “Tom Shannon’s anti-gravity sculpture” . TED 2003 . Retrieved March 23, 2011 .
  11. Jump up^ Shannon, Tom. “Tom Shannon: The painter and the pendulum” . TED 2009 . TED . Retrieved March 19, 2011 .
  12. Jump up^ Silberman, Steve. “Hacking a pendulum to Make Remote Controlled Art” . Wired . Retrieved March 20, 2011 .
  13. ^ Jump up to:a b Benton, Janetta Rebold (2011). Arts and Culture . New York: Prentice Hall. p. 606. ISBN  978-0-205-81667-5 .
  14. Jump up^ Landi, Ann (June 2010). “Studio Gizmos, Genies, and Globes”. Art News . p. 65.
  15. Jump up^
  16. Jump up^ Beschizza Rob (February 8, 2007). “Video Airship Patent Awarded” . Wired . Retrieved March 19, 2011 .
  17. Jump up^ “Video airship patent” . Video airship patent . Retrieved March 22, 2011 .